Tuck Langland

Specializing in large public sculpture, small awards, & portraits in bronze

New Life
New Life

Tuck is a professional sculptor with a national reputation who works at Fire Arts and mentors its emerging sculptors.  He has work in thirteen museums, and his public sculptures are seen across the country.  In recent years, he has also been involved with international projects. Tuck's sculptures for the home and garden are on display at Fire Arts. They include Women of the World - particularly Africans, a variety of dancers, and his new passion, Greek portraits and figures.  Tuck is a member of the National Academy and a fellow in the National Sculpture Society.

Books

From Clay to Bronze: A Studio Guide to Figurative Sculpture

Practical Sculpture

Tuck's sculptures on the web

Educators, Kate's Garden, Mishawaka, IN

Garden Sculptures, Schedel Gardens, Elmore, OH

Autumn, Arts Place, Portland, IN

Circle of Care, Hillman Cancer Center, Pittsburgh PA

Herman B Wells, Indiana Univeristy, Bloomington IN

Resting Dancer and Dance of Creation, Dowagiac MI

Resting Lady, Honolulu, HI

Crossroads, Indiana University, South Bend IN

Wiekamp portraits, Indiana University, South Bend IN

Dance of Awakening Day, IU Northwest, Gary IN

Mother with Baana, by Tuck Langland and Francis Nnaggenda

Online galleries

National Sculpture Society

Sculptureworks Inc

The National Sculptor's Guild

Dance Art Museum

Castle Gallery

GUILD Sourcebooks

Ohio Visual Artist Registry

Articles about Tuck

Collaborative with Francis Nnaggenda

Herman B Wells portrait dedication

The Muse of Music at the Midwest Museum of American Art, Elkhart IN:

George Makay Brown sculpture, Orkney, Scotland

Brookgreen Medal, South Carolina

Tuck's Biography from Indiana University

WNIT Dinner and a Book

Articles by Tuck

A Sculptor looks at Khajuraho

The Story of Sculpture: From Clay to Bronze

The Tuck Langland Collection
Tuck's collection of Gothic Architecture images, posted in collaboration with the Index of Christian Art in Princeton.

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